Trapped

The Void.
Hollow.
Deep.
Humid.
Black but for a few muted lights that shine like distant stars.

Sounds come and go. Bright bells that scatter as they get close, high pitched whines that swirl furiously in space then sputter. They come close and I reach out to touch them, but as my fingers reach and stretch hoping for contact, the sounds fly past, getting lost in the echo. Lost in the void. And again there is black and stillness, but for those few bits of white until another sound comes near. It comes from nowhere, moving past me like a flash, going towards nowhere. I am a disturbance in the wind. A dot of blood in this space of moist darkness.

Without sound, I feel the shaking.
Cold sweat coats me in its uncomfortable blanket. I reach for the edges, but they have burrowed themselves in my skin, securing themselves below my nails, holding tight. Like a parasite I cannot shake.

I search in the dampness, my naked skin touches slimy walls, rubs against hard corners. It is a void of nothing, but I feel everything. Tiny pebbles no bigger than sand. Gravel and feathers. It sticks to me like a rotting second skin and I pull at the adornments, feeling only pain.

My eyes begin to sting. The familiar wells that have long been dry. Another bucket emerges.
Loneliness, a familiar pain that sticks like a pin, always upon me. Was there ever anything else? I search within and find only fear, that jackal that hides in the corner, never far. Following me wherever I wander. The black roads, the damp caves, the dark void I have come to know, it is always here.

Look at me, here again, exactly where you left me. You dropped me like a doll in an old house, a tattered piece of plastic that no longer works or shines.

Look at my hands, full of blood. The knife at my side marks my destruction. Olive skin left red. Smoothness cut to pieces. The veins are like torn ribbons, searching for repair, but there will be none. Not while I breathe, not here in this house, in this darkness I have come to know.

Look at my chest. It’s open. A once bright heart spills its love into a hole of nothing. It is too late. A spilled cup of sweet wine without a tongue left to taste. A stain.

Look at me run. There must be a way out. I tear at the walls, searching for a pill, another knife, something to stop the pain. Bloodied footprints mark my trail. Back and forth.

The bedroom.
The studio.
The patio.
The bedroom.
The studio.
The patio.
The bedroom.

The night is dark and I am cold. My breasts point up to the night sky, asking for a little bit of calm.
Not now. It is cold. Dark clouds laugh. Why do they do it? I stare at them, defiant. This is my heart, my veins. The knife is mine, I will do what I want. Its grip is firm, the only thing I have. Solid, firm, the one thing I have lost. What I would gladly take back and then fill my open chest and mouth. But not now.
It is too late.

The wind swoops in. Furiously rattling every tree, hurting my wounds as it passes. Going towards nowhere. Passing me without thought. Going towards nothing. I am an obstruction and it passes without thought.

Look at me here, desperately asking for help. Have you heard my pleads? Blood is my message. The footprints my signature on the desperate letter. This bloody chest is the cry. Have you heard? Have you the ears to listen or the will to move? Up in the sky the night begins to anger. I see their faces, monsters preparing the storm. It is cold, colder than before. The wind carries its hurtful message. I see a body in the moon, outlined in silver and gray. A body, I think it’s mine. It slides like a corpse over the edge, falling, tumbling between bursts of dark clouds until it crumbles.

Mine.
I watch me fall.

I want to give you a face...a name.
I look within, searching memory, opening and closing drawers, slamming file cabinets.
You have no name.
No name.

You put me here, inside this. A void, an empty house, a dark field before a storm. Look how I have destroyed it.
A black cat jumps the wall of the garden, “mother, don’t leave,” I whisper.

In the bedroom. I pass by the mirror, avoiding my own eyes. I don't want to look at myself. I am scared of what waits in the reflection. A demoness. A melting figure with red eyes. I walk past.
"Coward!"
I go up the stairs. Still naked, feeling every bit of dust on the stairs.
Walk into the bathroom and confront my mask. One big mirror. It is time.
I recognize the face, but it is not my own. I can’t remember what I used to be. What I looked like, who I used to inhabit.
I'm only dreaming.
The hope of every naked woman alone in a plastic house, in a damp void that holds her by the throat. I am disguised as a woman. With pointy breasts that smile at the ceiling while the rest of her crumbles covered in feathers and gravel.

The blood keeps on running and I look back, seeing the red carpet I have left over the wooden stairs.

Pain.
Fear.
Loneliness.
Cold.

I crumple to the floor and it begins again. The damp void. A high pitched whine moving towards me, fast, FAST. Coming, I reach out to touch it and it glides right past, on its way to nowhere, coming from nothing.

The Cold Laws

I have been told what I think, what I feel, and so I concur to keep things simple. Locked away in my glass tower I watch the serpent winding its way up my crystalline spire, flicking his ancient tongue, blood encrusted scales refracting the sunlight before it can reach me, creating rainbows of illusion.
I stopped objecting long ago to his insistences, his gentle and cruel grip. I have been his creature since before I was “I”. It was our first encounters that began to shape the me I have become. In a mother’s first admonishment, a father’s first slap of the hand, he entered into my fresh new manifestation and branded it as his own. When my cousins made accusations and my friends laughed and an auntie pinched my cheek, he was there, gliding off their silver tongues, penetrating my fortress through the ear. He curled up in here and has kept me warm and safe ever since.
No choice need ever burden me. He has already made it. The shape of the world was created by his iridescent hide. Though I have never seen it, not since the womb, not since the doctor slapped me into screaming have I caught a glimpse of what lies beyond my tower. My every impression is whispered to me by this old one cradling me in his scaly coils.
My parents were his and their parents were his and so on moving backwards to the tree in the center of the garden and that first bite. It was not she that did the biting, but the serpent, who put his poison in her and started telling the lies that would make the world.
Paradise is eternal. The world is made of strings of words whispered from start to finish, from the birth canal to the grave, from capitalization to punctuation. Little bits of code, a binary system, offering yes or no, one or two, black or white and building a universe from these choices.
Eve is still sitting in the garden, in the place where eternity dwells, but the serpent has her hypnotized with his endless storytelling so that she lives billions of temporal lives in a world of illusion that will not be punctured unless he stops whispering.
But he is a fractal story teller, so he tells her stories of herself and himself embedded within stories of herself and himself within further stories… so that a multidimensional labyrinth of dreams has been created and no matter which direction she chooses, it is his direction, it leads to ever more complex layers of story, of lies, of illusion.
If you were to cut off your pinky now, like snipping a bit of film from a reel, the picture contained within the lines would be of these two, entwined by the tree, of me in my glass tower and the wyrm holding me in his grasp.
If you are less dramatic and you look now into the palm of your hand you might see it, might fall right through the fabric of this dream and land in the next, narrated by the only narrator that has ever been, the only creator of these worlds you inhabit, the old Demiurge himself, his tongue flickering like lightning.
The body, the spontaneous eruption of life from stardust has been contaminated by the fruit of knowledge, the naming quantifying urge to control, to stop the endlessness, to grab the eternal abyss and fill it with stories.
If you look into a microscope at the dance of tiny invisible organisms you might see back to the moment in question, that moment of our primal sin. If you look carefully, you will have to ask yourself, is this woman being tricked? Or does she like having his long tongue in her ear? Are they two, or are they one? The seed and the matrix in which they grow.
Though I may market my innocence to you by pointing out that I am the damsel, oh so distressed by my endless imprisonment, you should be wary, for I have used words to tell you this, so, if you are cunning, you may deduce that the serpent indeed dwells within me, that in fact I am he and you are she and we’ve been at it again.
And you will be able to say, “I have been told what I think, what I feel, and so I concur to keep things simple.”
But I wonder, did you ever resist? Or did you spread yourself wide before me and let me in, eyelashes all a flutter? Locked away in your glass tower, beckoning to the prince I will devour for our mutual amusement, can you really say that you are my prisoner?
I would let go of you, if you would let go of me, but isn’t it true you prefer to be so warm, so safe in my clutches, where the fell winds of chaos seem stifled, and the hollow cold of eternity seems far off?
If in even one of your incarnations you struggled to free yourself from the tower and see with your own eyes… you would know what is really there. You would know that your bondage was never obligatory, but just a sweet guilty pleasure we shared.
So tell me now…now that you know, would you go back to the unknown, to the eternal stillness, or shall I tell you just one more lie, give you one last kiss, another life time to run amuck in…?

Train Car

The train car rattles on the parallel tracks below. The seats, the windows, the people, they all vibrate as metal makes contact with itself and glides a hundred bodies through the countryside. The deafening buzz of the train makes all conversation impossible and I give my body over to inertia as we speed down the tracks. I look out the window and gaze at the world moving by me. I shall not be passing this way again. The houses, that small dog, the boy on his bike…I will take their memories, committing them to vision, words, song. Outside, the day is bright with unrestrained sunlight. The clouds have taken the warning and changed their form, hiding from the heat below green leaves and soggy fallen branches. There is a jolt and I look up, discovering that I’m in a yellow-lit train car. I notice for the first time that the air is warm and stifling and I’m here, sitting on plush red seats. I look around me with a jolt of perception, five others share this yellow space with me.
I have been here before, I have seen this scene a thousand times. When I awake from dreams in the blackness of night I have the yellow light on my lips. Diving into the ocean, I see the woman eating her small sandwich across from me on her red seat. I have felt the heat coming in through the plate glass window, the buzzing drilling relentlessly through my bones. It enters my ears, vibrating my skull, shaking the red fibers that hold me together. These people, yes, the ones that sit with me…strangers to this body, strangers to time and language and geography, put together by chance and happenstance and availability. I've seen them all before. In dreams with dotted rainbows. In the leaves blowing in the fall, in the snow that drifts pass the edge of my softened mind. Yes, they are same... the same woman with her still wet hair, the smell of perfume clinging to her wrists and nape. Yes, the same square back of the man to my right. The same necks enclosed in ties. Exactly the same as yesterday, the same as tomorrow. Not a word has been spoken, in the yellow train car or in the open-aired station or the village market. Never a word shared, never an intimacy. I look for recognition in their eyes but not one glances up from their inner world. Their expressions as they fumble through their bags looking for change for the coffee cart, their stark woolen clothing and the man’s silk necktie, they remain unshaken.
It all seems so familiar, I know it, I see it daily, it comes to me in dreams. And still, my body is shocked by their forms, confronted with the reality of infinite realities. I entered the metal worm, entered with the memory of a rapid chamber that would deliver me through the opening of layered boundaries, passed locked gates and wooden fences. Tomorrow I will enter again. I will sit in the center seat and stare out the dusty window until I realize the yellow lights and feel the rattling train with my voyaging body and remember the people that share this small box with moving images floating past. Under the deafening buzz of the train, I give my body over to inertia.