Showing posts with label time. Show all posts
Showing posts with label time. Show all posts

Saturday, December 4, 2010

That One Moment


It was only a moment. A blip in the life of a mechanical clock turning around on itself every 24 hours, a cycle without end. It was only a moment, and yet it hung suspended in time, holding in its wide hands vast amounts of matter and lifetimes, its presence so large that I just let it wash over me like a wave of light, taking my sense of self as I sat still in the moment of eternity that was not the blip of a clock- it was the only now that had ever been, has ever been, will ever be.

The highway climbed up the hill ahead of me into the rising sun, a white hot burst of burning life flowing into yellow and then bleeding bright blue into the receding purple of pre-dawn. I had not seen a sunrise of such intensity for a long time, perhaps ever, for these were new eyes in a new time that didn’t end. The colors sang for me- they dropped their cloaks and stood naked in the day that was forming. I took off the goggles, the layers, the thoughts and gauze, I let it fall as time waited for the soft gaze of truth to emerge.

Light unraveled in a slow, sensuous dance. The world stopped.

Between the highway and the Rio de San Juan was the old governor’s ranch. I watched as it became a fixture in eternity. I held onto its curves with my eyes, feeling the dark blue veil and misty grayish green floating over its ancient stucco walls.

The highway led up to forever. My destiny sat there in the east at the top of the hill, invisible in the blinding white light, yet seen as it hit the middle of my brow; seen from the core of my abdomen; seen as it washed over my head and down my spine. Seen by the part of me that has no eyes, seen as sight melted into every other sense, flowing up and down through me, in and out with my breath.

I floated up into the washing, waving light and looked down at the frail body sitting in the old station wagon beside the motel on the highway. There was a streak of weak light from the stop sign several feet away, the pale yellow and brown crust of a lingering harvest moon.

Past prayers and vague hopes reached through me and shot out into a fearful future and a humbling promise of what was to come. Threads of events flowed around me and filaments of light spread and receded, winding and weaving together in a vision of an arduous journey and precipitous rise. Sounds vibrated melodious and rhythmic in an exhortation to go forward, to be without trappings, to build faithfully. My being melted away and flowed into the vastness of light and shadow, movement and silence.

For that moment, I was no more. I saw the haunting past and the harrowing future, two roads converging into the me that was no longer there. I understood the course a life must take to have what is asked for. The choice had been made, there was no other path. For that moment, I was the colored light, the dry hands that had built the motel, the men on the line assembling the station wagon, that body down there, the trees in the distance, all those that had coasted down the highway and those that never would.

Then there was a blip, a tick of the mechanical clock springing forward. I returned to the confines of the body, feeling my arms and hands once again as my own. Slowly and statically I turned into the motel parking lot. I worked and ate and moved in silence for the rest of the day. I was detached, my movements unreal and mechanical. Fear and doubt grasped at my body at each turn and my mind kept repeating, "take care of what you ask for and have no pride in receiving it.”

Soon I would take that highway out of town, away from the place of childhood and into a world of mystery and misery. Yet that which I received at that one moment as the clock stopped and held time in its hands, that moment in which I traveled out of body and out of time, that has never left me. It strikes again in moments of listlessness when the sun begins to change and the road leads to forever.

Saturday, April 10, 2010

The Long Road Backwards

Let’s take a trip in time. From where I sit on this velvet couch, it looks like backwards, but time moves in all directions, and the arrows bend and shift depending on the light and drugs, and so nothing is clear. Everything is clouded in the fuzziness of uncertainty and this purple haze that seems to follow me in my musings.
But let’s take a trip. My carpet is in the corner, still maroon and soft after all these years. Step up, and watch your head on the Dogwood branches, they try to bite this time of year. Sit and relax, let the air from these heights fill your being, and like a balloon, we’ll go.
Rainbows and flames, the flapping of our carpet corners beat like footsteps. Down the road of history we travel, up the tales of time, through the stories inked and spoken. The echoes of generations fill my ears. Can you hear their murmuring?
The reflection lies up ahead, a strange mirror that stretches across the horizon, the merciless eye of time. Below I can see a brick road, gold and faded red and shaped like a helix. This is the path of DNA, written by an unknown hand and a fine tipped brush, carving its secret messages into each of our cells. Messages so simple and pure, so earth-shattering in their truth.

The questions begin to mount:
Where have we come from?
What stories have I forgotten?
Who am I?
Where did I get this funny looking monkey suit?

In an effort to reveal a link in my own chain, I face the carpet east, towards the land of my grandparents, Croatia. It’s time to go back. I pluck my father sleeping from his bed, in his gown and black socks. He is coming. He has never gone back, not in forty years. He has washed the questions away with time and weak wine, and a marriage that was built to last, but now, with me, he’s going.

And here I am. Holding a picture of my Dad in front of me. A picture of when he was young and full of answers that could have been easily broken. It was taken here, in Croatia, 42 years ago. He’s standing in front of the local church with his younger brother, both in their crisp altar boy outfits and shy smiles. In the middle of them is the local priest, staring into the camera lens solemnly.

I hold the photo like it’s the most precious thing I’ve ever seen. I let the image watch me from the past. They look at me, they look into the man they’ll come to know much later. I let their forms seep into my awareness and I begin to feel how the echoes of the past can vibrate into the present. The clarity of the moment shakes me, grips me with solid arms. In my Dad’s twelve-year-old eyes I can see myself, but I can also see his father, and the eyes of his father’s father, and back down the line of men until I can only hear the sound of a baby crying.

A wide, silent tear forms in my heart. There isn’t sadness. It’s something resembling joy, but not exactly. It’s white and clear and bright. Thoughts are absent, and I just look, holding the photo. I can see farther into time than ever before, farther into the line of men that would one day make me. The whiplash from the vision sends me spinning headlong into something that I call “now.”

Beneath me is a velvet couch, in the corner, a rolled up maroon carpet. Holding my thoughts is a pale flesh-covered body. Around me is fire and the past is but a burning ember in my hands. The photograph melts, turning into ashes of memory that float upwards, towards some distant planet, the place of forgotten memories.

Sunday, August 23, 2009

The Ritual

The small window lets in no light, not even a flickering star finds its way to the bedside. The dark sky looms like a giant, encompassing totality in its blackened gaze. I raise my head slightly and look to the end table. A red light informs me of our tilt on a spinning orb: 4:31AM. My neck releases its weight and I fall to the pillow like a rock thrown to a still lake. Soundlessly. Effortlessly, cast by an absent hand, a missing intention. Rain falls on the window, it hits so silently, like a thought never spoken. Just a moist, quiet mood is revealed. Just me and the perception of movement and inaudible splashes. Rain clouds open in the night, opening and releasing the pregnant fullness of water, quietly fucking the land that waits below. And if their meeting is silent, what is it that speaks in whispers? Who brings the nameless mists into this dark room, the reverberating echoes of ancient Espers?
Bindhi meows. I hear his plea, his hunger unconcerned with the red light of the clock or the dark time or the tired bodies that drift between lands. I feel Heather’s weight shift and the bed moves and I hear a door opening. A small jingle bell catches my ears. The bed shifts again, I feel a hand on my stomach, "You didn’t complete the ritual," I say. Like a child’s voice she would later say, in the arms of the night, my words, my sounds, were untainted by demands and adult interactions and years of accumulated memory. Like a child’s voice, she would say when light had shaken me and all hints of that innocence were well hidden once again.
Other stories call and the dreams start to tear at the known and I think of all the little people inside, looking out but rarely speaking. And I know that I am them, and their fears are mine, and my unspoken truths are theirs. All of us, on the edge of being completely forgotten, quietly watching the shadow show like a TV with no switch. Like faded family photographs, portals into the memories of birthday parties and the first bicycle and siblings in front of a Christmas tree. All these faces silently watch me, looking into me, seeing my future, wondering where I am.
Suddenly Bindhi jumps on the bed, he walks to the edge and nuzzles my head. I hear his need, his plea once again. As silently as the rain, I pull the warm covers away and step onto the forgiving carpet. I walk to the kitchen, the small jingling sound following me for thirty feet. I pour some dried food into his bowl and then I use the bathroom. He follows me back to bed and the ritual is complete.

Friday, July 3, 2009

Train Car

The train car rattles on the parallel tracks below. The seats, the windows, the people, they all vibrate as metal makes contact with itself and glides a hundred bodies through the countryside. The deafening buzz of the train makes all conversation impossible and I give my body over to inertia as we speed down the tracks. I look out the window and gaze at the world moving by me. I shall not be passing this way again. The houses, that small dog, the boy on his bike…I will take their memories, committing them to vision, words, song. Outside, the day is bright with unrestrained sunlight. The clouds have taken the warning and changed their form, hiding from the heat below green leaves and soggy fallen branches. There is a jolt and I look up, discovering that I’m in a yellow-lit train car. I notice for the first time that the air is warm and stifling and I’m here, sitting on plush red seats. I look around me with a jolt of perception, five others share this yellow space with me.
I have been here before, I have seen this scene a thousand times. When I awake from dreams in the blackness of night I have the yellow light on my lips. Diving into the ocean, I see the woman eating her small sandwich across from me on her red seat. I have felt the heat coming in through the plate glass window, the buzzing drilling relentlessly through my bones. It enters my ears, vibrating my skull, shaking the red fibers that hold me together. These people, yes, the ones that sit with me…strangers to this body, strangers to time and language and geography, put together by chance and happenstance and availability. I've seen them all before. In dreams with dotted rainbows. In the leaves blowing in the fall, in the snow that drifts pass the edge of my softened mind. Yes, they are same... the same woman with her still wet hair, the smell of perfume clinging to her wrists and nape. Yes, the same square back of the man to my right. The same necks enclosed in ties. Exactly the same as yesterday, the same as tomorrow. Not a word has been spoken, in the yellow train car or in the open-aired station or the village market. Never a word shared, never an intimacy. I look for recognition in their eyes but not one glances up from their inner world. Their expressions as they fumble through their bags looking for change for the coffee cart, their stark woolen clothing and the man’s silk necktie, they remain unshaken.
It all seems so familiar, I know it, I see it daily, it comes to me in dreams. And still, my body is shocked by their forms, confronted with the reality of infinite realities. I entered the metal worm, entered with the memory of a rapid chamber that would deliver me through the opening of layered boundaries, passed locked gates and wooden fences. Tomorrow I will enter again. I will sit in the center seat and stare out the dusty window until I realize the yellow lights and feel the rattling train with my voyaging body and remember the people that share this small box with moving images floating past. Under the deafening buzz of the train, I give my body over to inertia.