Writing about writing

Objects spark single thoughts that turn into stories. The sweater on the ground, Isabel gave it to me long ago when we shared a converted barn in the Sicilian countryside. She washed it and gave it to me as a gift, it was the first time I wore green. I loved it. I wore it until I washed it in hot water and shrunk it down to a baby size, but I still carry it around.
There is a scrawled note hiding on the edge of my desk. I wrote it yesterday when I was groggy with sleep, the message was the only thing that kept me from crawling back into bed. These are objects that I want to write about, that I could spend the next lifetime weaving into interlocking tales that mingle with new worlds of understanding.

Fingers are positioned on the keyboard awaiting electric messages from my brain, but what if I could turn the fingers into the brain? This brain is a few seconds behind.

This is the tail and we have come to take over. No more agonizing, these fingers are alive, not moving from the brain but from that deeper voice that lives in the folds of the body, in between the finger nail and the resting place where the earth lies. That little space between order and chaos, that widening spot, ever expanding.
These are the fingers, the tail, moving across the screen. My eyes are almost closed, the fingers move, let them move, dance, what words does the tail have to write now?
The fingers aim to keep up, don’t let the head get in the way. It wants to think, agonize. What will they all think of me?
No, this text will not be like that. We are not writing for prizes. Here. We are not hoping someone will fuck us for these words. We are fucking with these words. Now. Right now.
Universe, it's ok, open up. These words are coming straight from the tail, no flourishes to coat the spinning movements.

I am writing about writing. I am writing about these fingers on the keyboard. My fingers moving faster than I have ever seen. I watch, detached, watching the body take over. I have a seat like a woman in a box office at the opera, I watch the body go.
I am writing about writing, and writing about writing does not win awards, but I am moving and the experiment goes on without permission.
Move aside to let the body dance. I am so tired, it moves without me. I take a slow breath in, narrating the space in time that I occupy.

The fan is spinning constantly, drowning out the footsteps above. There is the heavy scent of smoke outside seeping in through the holes in the roof.
Where is the fire? The sirens? I check outside and then write about writing. Again.

My eyes are closing. My body is almost asleep, it goes faster than it ever has, there are typos and types and I think about the green sweater, how she folded it all up and came to me. We stood in the hallway under a bright light, a bare bulb, all the Sicilian hills covered by the absent sun, the volcano scattering ash and red fire outside the window.
It was the first time I ever wore green. She gave me the algae of the sea and I amassed a collection of turquoise and blue and green and all the colors of the mermaid palette.

Eyes squinting, straining to see the thread to weave a tale. Nothing is there, but then it comes, a rainbow of words that ekes out its breath on the back of a mouse’s tale. Two words, matched only by language.
Come to me, you rainbow, let me take you to where the story begins, where I think it begins. I can only see as far as the light shines, other worlds and times are left in the shadows of this planet.

This is where I think it begins, at the birth of a new sun, a son. A sun that shines on, giving its dark parts to the gods and its light to the mortals that will one day cause havoc.
Nothing is coming to me! Everything comes. Dry eyes are stinging, pupils dilating to adjust to the brightness of the screen at one in the morning. It’s too bright.
But thoughts on Mondays in the sun come to me, I think of the story started long ago, so long I almost forgot about it. And then there I was.

I should get up. My body wants to stay in place, the pillow, a cloud of delusion. But I can hear something urging me up, the moment is passing, soon it will be a memory. What could have been written, what might have come out from the space between thought and fingers and feelings, from the hidden tube that links all of the universe.
One hit, one body, keyboard and screen.

The words flow, but my mind can stop them up like an old plastic stopper in an bathtub. Thoughts of recognition, awards, competition, oh those thoughts will stop this flow, stop it dead.
The fingers keep moving, my right hand is itchy, stinging, yes, the habits of the body will stop these words too. Not just ego, for if that does not work they will send the itches, the bitches.
Brilliant ideas are few and far between, but the words come out anyway. Brilliance will be judged by the few who read this. The mouse and its rainbow tail.

I write about writing, write about the words coming, write about the fingers and my eyes that are shutting and the body that longs to itch or go back to the pillow. This is a mouse’s tale, a mouse’s tail.
What you are reading is the middle of the story, there was a beginning, a place where the light does not, cannot, reach, a place not even I can see, me the teller of this tale.
There will be an end, an end of the page, my death, the end of these words. But the story will continue. One day a star will blink and she will pass me the sweater. It was the first time I ever wore green.

The Next Step

I cut through you with my glorious knife, letting blood, rending flesh. You know my name, ha, ha, it is formless, it is soundless, but you feel it as your flesh is stripped from bone and pulled into the icy whirlwind. The hierarchy of organic existence is a house of cards that I huff and puff and blow down, down, down into the swirling abyss. And you push and pull to set her back up and see your own reflection in her structure, but let me set you straight, it is really my image that you see in your own and I have none, ha, ha.
So you see, what you see, is a trick of light, a light bending game. You are a magician and I am a big black box; through me things manifest and through me they vanish, never to be found again. Ha, ha. I am the magician and I am the box, but as a matter of fission, of division and variation, you proclaim yourself “I that I am” and run about making the grass green, making the sad man sad, ha, ha, and the angry woman angry.
You are the “I am I”, and I am the something that you bump blindly into and then name to make it visible in your magickal kingdom. It’s your fairytale. It’s my fairytale. Our fairytale. Fusion my dear, my dear, occurs when you put yourself back in the box, ha, ha, and we vanish together, in unity enlightenment, death.
But isn’t it funny that you keep wriggling away from my embrace? My red hot love endlessly flowing, devouring flesh, with razor sharp teeth, my adoring clown grin begging for one more kissssssssssssssss.
Forget the name darling, you know ME. Maybe you’d rather forget, ha, ha, ha, but you know, you know… The normal escape route is out into the myriad of forms and beings and existences that constitute the expansion and flowing destiny of what is, and everything is, radiating out from a bubble in space, ha, ha, a little cosmic indigestion.
And me, I am the inverse of that space bubble. You know what that is, don’t you? You have a name for that too, ha, ha. But you could just call me mommy, standing here with my knife, my glorious knife, you could call me huntress, or Tyger, Tyger or you could just shut up.
Because, you see, my darling, I’m going to get you, and bring you home, one way or another, and where we’re going, a scream is a silent thing, ha, ha. Where we’re going there are no names. Narrow is the way, and few are the chosen, ha, ha. It is formless, it is soundless, but you feel it as your flesh is stripped from bone and pulled into the icy whirlwind.
I’ve been waiting for this kiss, letting blood, rending flesh, grinding bone. I cut through you with my glorious knife and you know ME, you remember me now, ha, ha. Ha, ha ,ha.

Through the Veil

At the top of the hierarchy of organic existence, where many a man has thought he belongs, just like the oils and fats at the top of the modern food pyramid, which perhaps should have been discredited long ago as a “beneficial back rub” for the agricultural lobby; at the top where man, with his large brain and malevolent ego believes he belongs, there is a "something" that man does not achieve. For the majority it is not achieved, though that achievement is indeed possible, however difficult it may be.

And that something, which eludes the majority of mankind, we can allude to it with beautiful words, a thesaurus of verse and synonym which could fill the ears of wondrous, flowery Maria. We could delight her with visions and the smells of every rose and describe the sky and all its wonders, but that something would still remain intangible, unknowable, because it is not of words, not made or created or coaxed into being by the statements of finality that language attempts to keep locked in the metal boxes of the attic.

Jacques, that character of a man with white notebook and fountain pen, perhaps we could twist tales and seduce him with wise plants of the desert and old pipes exhaling smoke. We could try, many have certainly attempted to describe that ‘something,’ but it can never be fully held, either by Jaques or the others that stand beside him at the top of the pyramid drenched in oil and salt.

I myself, the writer of these words, supposedly at the top of this mountain made from As and Bs, I struggle with their placement, dance around the loops made for my capture. Words! You bastards! I purge you with these metaphors, I run though the gaps in your iron walls, looking, finessing, rubbing against that ‘something’ that stays hidden, beyond the grasp of your control. Maria, where are you hidden?

There is a veil, a division, between us and the next form of existence. Like the widow’s black curtain that obscures the ocean and sun, we live out earthly existence mired by our eventual demise. This fear is masked by a thousand other names, different configurations of the same basic structure. Sex, marriage, adventure and orgasm, children, vacation; the division is thick, winds like a serpents tail around the ankle of my infant, infected through mother’s milk and generations of spoken sound.

Words! This veil, the division, is called death. Death. Death, that takes our Maria, transforming that milky body into ashes. Take of her, but do not make her blind. Push though the veil Maria! Push through the widow’s gauze which I refuse to wear and search for that ‘something’ I could not explain to you in life. Jacques, pick up the stone, move further to the right. Yes. Now to the left around the open hell-mouth of finality. For this moment, let the gates of your chest open. The ego, the malevolent beast, sacrifice it to the veil, the black division which obscured death and the other forms which lay beyond its promise. Jacques, sacrifice the body and leave it for the scavengers of pride and word.

Listen to my voice. These words, which failed us in life, they may bring us to the bolts of energy that wait transfixed in space, climbing, climbing. Walk up and open your arms, for the world is one and now you can understand. Language, you words! They are ours, shapes of mushrooms in the darkened clouds, plants colored as the ocean’s smell.

Words! You bastards! Climb the steps, Jacques, open you arms, and for this moment, open the gates of your chest. There is no more you, but the ego, slay it so that we may enter. Slay it and leave it for the others to feast, the ghosts are hungry. Maria, you are there, flowers at your feet. Open your mouth, let the blue light of that something, let it drip in.

We are here. The divine dance of orbital light and chance, that something is here.

Maternal Return

About a half a millennia ago I was not as I am now. About a half a second ago it fell apart again, just as it did before.
You want to know something about the origin of life. You want to speak for the earth mother, you want to create her with your tongue and words. The origin of life is in sin, in a fall, in a recoiling from something too terrible to stay with.
That’s your primal mother, howling from the abyss. You run from her into her arms again and give birth to yourself over and over. Guns fall out of your open mouth, fields of fire burn with tiny brown bodies for tinder.
You can’t believe that this experience is now. You can’t believe that there is no escape from death and pain. You don the paladin's gleaming armor and march away from the filth and the chaos. You make a God of the sky. He comes out of the blue. He is a fabrication wrought with tongue and words.
It feels like something radical needs to happen, a shape shifting to avoid total destruction. You do this so deftly that you are no longer aware of the transition when it happens.
You believe that you have always been as you are now. You forget your origin. But there is nowhere that you can go where I am not. There is nowhere that does not stem from the darkness.
Your globe of light, your swirling kaleidoscope of delight hangs tenuously from a stem fed from the abyss. Your lips move in an endless litany, endeavoring to invoke something higher, something other. Something you imagined to escape the suffocating stillness, the absolute cacophony of being, the muddled pit of all experience engendered simultaneously.
You crave the new world order. You demand to experience one probability at a time. Unity for you involves separate entities lined up in neat rows. Here in this world, at this juncture you have designated with terms of spatial and time based coordinates, you seek an escape from the chaos of the abyss.
Here, in this place that doesn’t exist. This place that blossomed from your agonized wriggling, your terrified hiding and running. Here in a paradise imposed over a wasteland, you dare not eat of the fruit of knowledge. To do so would open your eyes to your terrible nakedness. You would see that paradise is only a dream, that you have been sleeping to avoid the truth; that you never left my slimy womb.
I am the horror that waits in the darkness. As long as you fear me you will be trapped in an endless circle. To escape me, you will run into the arms of a mortal woman, seeking comfort. You will bury your suffering in her and be born again, running from her womb in terror.
It has happened so many times, this fall to escape the old world and create the new. This deepening psychosis that you call life is only a shadowy reflection of the thing that is life, and life is what you fear.
You are a King of shadows, a King of ghosts. You are Adam who dreamed up El so that you could forget who was the real maker of the world.
You want to know something about the origin of life. I have told you. You will want to recoil from what I have said. You will find a justification for rejecting it. You will embrace the litany of words that has been tumbling from your lips, the incantations that you have been muttering to create your world, the one that you call THE WORLD, so you can forget me. You may dream up blonde angels on white unicorns waiting for paladins. But this I promise you, inside of every angel a dragon waits coiled, a birth waits ripe with gore and hair and violence, an old witch bides her time in a dark corner with wrinkled skin and bald patches on her scalp.
I will show you the truth again and again. You will counter by spinning lies, lips moving, tongue wagging…
The origin of what you call life is to be found in a sin, in a fall, in a recoiling from something too painful to partake of. That is your primal mother. This is who I am. Now that you know, it will fall apart again, just as it did before.
About a half a millennia ago I was not as I am now. About a half a second ago it fell apart again, just as it did before, just as it will again.

The Cold Laws

I have been told what I think, what I feel, and so I concur to keep things simple. Locked away in my glass tower I watch the serpent winding its way up my crystalline spire, flicking his ancient tongue, blood encrusted scales refracting the sunlight before it can reach me, creating rainbows of illusion.
I stopped objecting long ago to his insistences, his gentle and cruel grip. I have been his creature since before I was “I”. It was our first encounters that began to shape the me I have become. In a mother’s first admonishment, a father’s first slap of the hand, he entered into my fresh new manifestation and branded it as his own. When my cousins made accusations and my friends laughed and an auntie pinched my cheek, he was there, gliding off their silver tongues, penetrating my fortress through the ear. He curled up in here and has kept me warm and safe ever since.
No choice need ever burden me. He has already made it. The shape of the world was created by his iridescent hide. Though I have never seen it, not since the womb, not since the doctor slapped me into screaming have I caught a glimpse of what lies beyond my tower. My every impression is whispered to me by this old one cradling me in his scaly coils.
My parents were his and their parents were his and so on moving backwards to the tree in the center of the garden and that first bite. It was not she that did the biting, but the serpent, who put his poison in her and started telling the lies that would make the world.
Paradise is eternal. The world is made of strings of words whispered from start to finish, from the birth canal to the grave, from capitalization to punctuation. Little bits of code, a binary system, offering yes or no, one or two, black or white and building a universe from these choices.
Eve is still sitting in the garden, in the place where eternity dwells, but the serpent has her hypnotized with his endless storytelling so that she lives billions of temporal lives in a world of illusion that will not be punctured unless he stops whispering.
But he is a fractal story teller, so he tells her stories of herself and himself embedded within stories of herself and himself within further stories… so that a multidimensional labyrinth of dreams has been created and no matter which direction she chooses, it is his direction, it leads to ever more complex layers of story, of lies, of illusion.
If you were to cut off your pinky now, like snipping a bit of film from a reel, the picture contained within the lines would be of these two, entwined by the tree, of me in my glass tower and the wyrm holding me in his grasp.
If you are less dramatic and you look now into the palm of your hand you might see it, might fall right through the fabric of this dream and land in the next, narrated by the only narrator that has ever been, the only creator of these worlds you inhabit, the old Demiurge himself, his tongue flickering like lightning.
The body, the spontaneous eruption of life from stardust has been contaminated by the fruit of knowledge, the naming quantifying urge to control, to stop the endlessness, to grab the eternal abyss and fill it with stories.
If you look into a microscope at the dance of tiny invisible organisms you might see back to the moment in question, that moment of our primal sin. If you look carefully, you will have to ask yourself, is this woman being tricked? Or does she like having his long tongue in her ear? Are they two, or are they one? The seed and the matrix in which they grow.
Though I may market my innocence to you by pointing out that I am the damsel, oh so distressed by my endless imprisonment, you should be wary, for I have used words to tell you this, so, if you are cunning, you may deduce that the serpent indeed dwells within me, that in fact I am he and you are she and we’ve been at it again.
And you will be able to say, “I have been told what I think, what I feel, and so I concur to keep things simple.”
But I wonder, did you ever resist? Or did you spread yourself wide before me and let me in, eyelashes all a flutter? Locked away in your glass tower, beckoning to the prince I will devour for our mutual amusement, can you really say that you are my prisoner?
I would let go of you, if you would let go of me, but isn’t it true you prefer to be so warm, so safe in my clutches, where the fell winds of chaos seem stifled, and the hollow cold of eternity seems far off?
If in even one of your incarnations you struggled to free yourself from the tower and see with your own eyes… you would know what is really there. You would know that your bondage was never obligatory, but just a sweet guilty pleasure we shared.
So tell me now…now that you know, would you go back to the unknown, to the eternal stillness, or shall I tell you just one more lie, give you one last kiss, another life time to run amuck in…?