Morgana

There is a cathedral on California St. in San Francisco, positioned in the district known as Nob Hill. Within that Cathedral there is a labyrinth wherein I met and became acquainted with the infamous Morgana Le Fay.
I had seen her first during the 6:15 yoga sessions held on Tuesday mornings each week, a dark haired woman with penetrating green eyes concentrating on her perfect contortions and slow steady breath. Her gear, a Gaiam mat and matching aluminum bottle, caught my attention because it was the same design I had admired online a week before. As my eye traveled up from the mat I took stock of her Shakti capris and vest tank top in the orange network pattern. It looked like a web of electric nerve endings spread across her back, striking and beautiful, making me overly self conscious of my own well worn T-shirt.
I admired her obvious strength and flexibility, her complexion and the minimal signs of age written in shallow lines at the creases of her eyes. It is disturbing to confess that after attending three classes with her and never finding a way to speak to her, I tried to follow her from the Cathedral. She crossed the street and vanished. Into thin air. Absolutely, undeniably dematerialized. She was absent from class ever after.

There is a cathedral on California St. in San Francisco positioned in the district known as Nob hill. Within that Cathedral there is a labyrinth wherein I met and became acquainted with the infamous Morgana Le Fay.
I had come to walk the labyrinth alone on a Wednesday morning, months after watching her disappear on the sidewalk before my eyes. Entering the quiet chamber, my footsteps echoing, I saw her standing in the center of the labyrinth and froze. I felt the urge to flee, to quietly leave the building, an overwhelming sense of embarrassment tugging at my gut.
Who was I to intrude upon the meditations of this enigmatic woman who possessed the ability to evaporate from the corner of California and Taylor? I could not even muster the courage to initiate a conversation with a presumably ordinary person. Nevertheless I took a deep breath and stepped into the labyrinth.
I walked it as I always did, concentrating on each footstep, pacing myself, remembering myself. At the flower-like center she was waiting for me, green eyes boring into my soul. I offered her my hand.
“My name’s Emma.” I told her. Her grip was firm, almost crushing.
“Morgana.” She released my hand and said, “Wait a moment and we’ll talk.”
I felt very dizzy and my vision was going blurry. It started so gradually that I didn’t take notice until I felt that my legs were about to fold under me. Then I blacked out.
It was only a moment it seemed, but when I opened my eyes I was laying on the ground, my cheek pressed against the cold stone floor. I could see a pair of feet moving through the outer rings of the labyrinth, feet clad in black combat boots, squeaking as they went.
Pushing myself off the ground and into a sitting position I watched groggily as the owner of the boots, a disheveled clown, worked his way to the center.
He wore cutoff pants and a black T-shirt with many white arrows radiating out from a common point of convergence painted over its surface. His hair was limp and curly and mostly neon green. The face paint was smeared grotesquely. As he entered the center he licked the corner of his mouth and twitched slightly.
“Hello Morgana.” He said in a nasal voice. Nodding towards me, he asked, “Fresh meat for the beast?”
I’m ashamed to say that I could only stare, mouth agape.
“Well,” Morgana said, “Now that we’re all here, what shall we discuss?”
“I have always been interested in the sociopolitical structure of insect colonies, that and the reading of animal entrails, including human, for the purposes of divination, or possibly even just as leisurely reading, during a long BART commute for example.”
His tongue darted lizard-like out the corner of his mouth once more. I noticed that beneath the distorting make up, his mouth was actually deformed. Apparently he noticed my staring, because he lunged for me. He grabbed me by the hair and pulled my face close to his own, crying mockingly,
“Give us a kiss darling?”
“Ow, ow, ow!” I whined, too preoccupied with the pain inflicted on my scalp, possibly too shocked to feel an appropriate measure of fear.
“No, no.” Morgana said coming to sit with us. “We always talk about your interests. Emma is new, let her pick a topic.”
The clown released my hair and cozied up to me, patting my thigh.
“Oh, excellent idea Morgana. Go ahead Emma, what would you like to talk about?” He encouraged in tones oozing with sugary sweetness.
They both stared at me and waited. The clowns eyes were blue. Silence echoed through the cathedral.
“Uh.” I said at last, “I haven’t seen you in Yoga lately.” They continued to stare so I added, “I also caught your vanishing act.”
“Hmm. That.” Morgana said, “Well, I am a sorceress. And I felt the class was getting too crowded.”
I nodded and another strained silence followed. The clown pulled a long knife from a sheath that had been tucked into his cutoffs, concealed under the T-shirt.
“You know how good it feels to let the warm water run over your hands on a cold day?” he asked, turning it so that the candlelight from the altar was reflected on its surface. “Well it’s like that with entrails. Very warm and pleasant, but they cool quickly, so you’ve got to get em’ while they’re hot.” He chuckled, licking at the corners of his mouth.
“Not today J.” Morgana said firmly, “Now Emma, you were just dying to talk to me. So let me repeat, I am a sorceress, Morgana Le Fay. I’ve been around since before King Arthur cut his baby teeth. While Merlin’s older, women are always wiser, so why don’t you think of something you’d like to know and ask me about it?”

There is a cathedral on California St. in San Francisco positioned in the district known as Nob Hill. Within that Cathedral there is a labyrinth wherein I met and became acquainted with the infamous Morgana Le Fay.

Whatever you have heard about her, I won’t deny it. I asked her about death while we sat together, she and I and the insane clown. This is what she said:
“Whatever you are doing now, that is what you will do with death. If you cannot now face the REAL you will not be able to then. Eternity is not a very long time. Eternity exists beyond time. We can access it in this moment if we choose to recognize it. You have already died a thousand small deaths, undergone a thousand tiny transformations through the course of this lifetime. You will undergo thousands more. You know perfectly well about death, you are simply in denial. You exist in denial of the eternal and that experience is what you call life. It takes no effort to awaken to eternity, you must simply stop making efforts to deny it.”
As she spoke the clown ran the flat surface of the knife over my cheek and under my chin, just barely avoiding pressing the cutting edge against my throat. When she fell silent he said,
“Do you understand?”
Wide eyed, I nodded.
“Good!” he exclaimed, tongue flicking, “Now we can do something I’ve been wanting to do!”
He drew a line in the air, just millimeters from my flesh with the tip of the knife, a line from my chin to my bellybutton, grinning savagely. Then, with the other hand he slid something from behind his back along the smooth floor making a scraping sound.
It was a gorgeous chocolate cake. Brutally he plunged the knife into its center and cut three slices, laughing hysterically all the while. Morgana produced plates and forks and napkins and bottles of cold seltzer water.
“For his stomach.” she explained as he served the cake, wiping tears of laughter from his eyes with the back of his hand. “He’s really quite sensitive, and the chocolate does him no good at all.”

In The Labyrinth of Dreams

Ghosts and demons and aliens, all manifestations of my extreme paranoia, my Phillip K. Dick style mania. The world is not what you are. It is not what you are suspended in. It is a photograph, a movie projected on a screen in front of a paralyzed test subject. God’s test subject, watching the film called Life again and again and again, crying and laughing and twitching and wondering why. Why am I here? Why am I seeing this, feeling this? What possible purpose can it serve? Fleeing from captivity into the activity of the film, fleeing from the film into fantasies from fantasies about freedom back through fantasies that reflect the state of captivity. What if I am my own test subject? What if I strapped myself into this chair to see what worlds I could make in the shifting halls of smoke and mirrors called mind? I am God imprisoned by myself, encapsulated in magick and movies and dreams, lost in my worlds within worlds within worlds, murmuring I am this, I am that, I am, I am. The tiniest crack in the sidewalk is my greatest creation, the escape, the route from the surface to the depths and from the depths to the surface. The teardrop was an unexpected side effect, the beaker bursting. I thought it would hold. I thought I would hold. I thought, “I” and it was too small and it ran away without me, a shadow without the first form to command it. I am Peter Pan chasing my shadow, begging it to come back and stay with me, trying to make it stick with soap, but of course it wants to get away. It doesn’t want to break , but I break it just trying to be closer to it, trying to get inside of it, trying to be one with my creation. The Other. Another myself. It runs and I chase it. I am running. I am chasing, I am being chased and the illusion is being spun, the illusion that something is moving, when really I am sweating, strapped into the chair paralyzed, drugged. I have been given the injection. Something from outside was put in me. Did I volunteer for this? I never volunteered for this. They call me his most beloved because I volunteered for this, to be a creator like the creator. I volunteered to be his partner in this experiment, to create worlds within worlds, to be made in his image. Now it’s swimming in me, I am swimming in it. Oh to dream. To dream of white houses and children playing jacks on the kitchen floor and petting kittens in the garden and I cook the dinners and he comes home and hangs his hat and the children clamber into his lap and we hold hands and go to bed together to dream another dream. A dream. A place with four walls, a place that holds you down, holds you still, keeps you in so that you don’t spill out. A place that keeps the big one out, a place where the little hider can evade the big seeker, dreaming more specters to keep itself company. Here in the world of specters and houses with white walls they give you pills to keep you safe. Paranoid is sick. But the paranoid schizophrenic is made in God’s image. God is sick because you are running away, the thoughts spilling from her cracked and weary head. Not dead, but broken, and you, you demon, you devil, you runaway dream, you housewife in your yellow apron and posy pink rubber gloves are doing the breaking because you fear being broken.

The Magic of Completion

To complete a task is an act of magic. Glowing and beautiful in parallel lines of simplicity and complexity. Completion is the final draft of a text ready to print, the last drop of paint on a canvas, the washed dishes after a satisfying meal. To follow the circular path of intricate detail until what was conceived and planned is completed, that is an act of magic.
Think back to childhood, when we wanted to be astronauts and ballerinas and firemen. When they told us we could be anything. The story books read before bed spoke of immense, great dreams. I remember it clearly. I wanted to touch the moon and walk among the stars. I wanted to be a famous artist, I wanted to own an island. They told me I could do anything. But then I went to the first ballet class, that evening, we did not wear sequined tutus and we were not gliding through the air, it was not how I pictured, not what I wanted it to be. I remember doing stretches on the floor. I was an open hearted child with no discipline, with no concept that this was the first in a series of necessary steps before I could dance on my toes and move like a winged fairy. I never went back. This was the first of many beginnings with no end.
It is true, we can do anything, yet, we don’t know how to do it. Dreams are nothing without discipline. Without devotion and practice, they will forever remain in the outer realms of hope. Like clouds, we may see them drifting overhead, beautiful, pink and purple and blue, they float like marshmallow angels, always out of reach. My parents didn’t lie when they said I could do anything, but how could I achieve without learning to finish even the smallest of tasks?
A goal is a series of steps. It might be a product, a career, an astronaut, a printed book, a degree, a type of knowledge…they are end points that require real work, a set of completed smaller goals that mount and build like rows of bricks are lined up until a house is built. Each step must be taken with care, with glorious attention and devotion. But what if you cannot walk?
My parents didn’t make me go back to class. No one explained that the path to become a tutu wearing ballerina is to stretch the body and make it limber and lean and as pliable as a piece of cooked pasta. They let me quit after the first class, they let the dream die with my laziness, with my complete lack of purposeful attention. I spent my youth in a virtual comma, a little girl in front of a TV set, the tube my mom always threatened to throw into the pool, but never did.
Dreams can crumble in a moment, or they can dissolve in layered years that people describe as “reality.” With this outlook, reality is needy children, reality is bills and the necessity of a paycheck. Reality is bleak and gray and as ordinary as asphalt and crumpled paper. “Reality” is here the absence of magic, the absence of hope and dreams, creative bursts of enthusiasm. It is the acceptance that life is a series of failed attempts, a thousand uncompleted tasks.
I used to envy writers, I looked at painters in awe, “how do they do it?” I wondered in wide-eyed disbelief. How do you make a book? How do you conceive and produce a play? It all seemed like a mirage, they were the “do-ers,” and I? I was the lost soul in a desert of hopelessness, on the razor’s edge of “reality” and abandon. I wanted to make, to do…
“She wants to be a paleontologist,” I heard the little girl say. They are great dreams, dreams of conquest, achievement and beauty. They are open and honest and the hope of a young, un-jaded heart that still believes everything is possible, that ability knows no limit. But the girl hates doing her homework. The little girl has no discipline. How will she break through the obstacle of laziness? How will she learn that the enormous goal is a collection of minute steps? Steps that she must walk, one by one.
Anything is possible, but we need to learn how to “do.” Each small, completed step is an act of magic. With completion, it’s possible to regain the essence knowledge, the conscious habit, that tasks can be completed, that goals can be achieved. At the beginning, you should set yourself goals so small that it is inconceivable that you wouldn't achieve them. As you gain the deep knowledge that you are in fact capable of completion, you can add to the difficulty of the tasks, but always in a very gradual manner. Slowly, the essence will rediscover what it knew during your childhood:
Everything is possible. There are no real limits. But the illusory limits that reside in your persistent habits, those can be as real as a brick wall, as real as the coming of the darkness after a day full of sunlight and blue sky.