In The Theater

I went to the movies yesterday, when the sun was bright and the sky was clear and the entire city seemed to be busy doing other things. I didn’t have a movie in mind, any would do. I walked through carpeted halls that smelled of popcorn, entering different theaters at random, number 12, then 2, then 7. I pulled the heavy doors open, just getting a quick glimpse of what was going on at the moment. Men yelling in the trenches, a girl walking down a forest path, a teenager in the back seat of a car, a man with a gun. I tried to avoid the temptation of staying in one place, I forced my feet to move, pushed my own elbows off the armrests by sheer will, quickly walking into the light-filled halls once again.
Soon, I realized that there was one theater I didn’t want to visit, I kept avoiding it with each pass. The door was covered by a maroon curtain, and just walking in front of it gave me an overwhelming feeling of dread and impending doom. Like a strange tide, I felt my body pulling me in the other direction, while another part of me knew what must be done. I escaped the light, the popcorn and the safe patterns of the thin carpet. I went in.
The previews were just ending. The movie was about to start and I looked into the rows of empty seats. I was alone. I realized they were showing the feature to an empty room. Not one sign of life. No oxygen, no carbon, no breath. And then the questions began: Why would they do that? Who would do that? Was the process so mechanized that the movie just begins and ends regardless of the audience? Was there a man up there, behind the flickering light, responding to orders? I looked at my ticket, I should not be here, not in this theater. The ticket I bought was for another movie, another theater, another audience, other seats. This show couldn’t be running just for me…they couldn’t know I was here, the lone man in an empty theater.
I sat down twelve rows from the front and in the center. In the film, aliens make the whole city fall asleep to steal their memories. Halfway through the movie, I realized I had fallen asleep on cue. Someone had yelled at me to stop snoring, but I looked around and found the same lonely chairs, the same quiet stench. There was no one with me. I had dreamed the yell.
I kept watching the movie and looked around every so often to make sure I wasn’t dreaming. I found no evidence one way or the other, except that the movie seemed to be just ordinary scenes of ordinary people doing nothing in particular, and I wondered what had happened to the aliens.
I found myself becoming more intrigued by the green ‘exit’ sign to the left of the screen. I wanted to get up and go through it, to find the door or stairs or another world with an alien carrying my memories. I wished to walk beneath the sign’s green glow, only I seemed to be glued to my seat. A heavy metallic atmosphere pushed me down. The smell of plantain soup would come and go. I was confused by the green sign and its message. Was it informing me of the exit? Was it a suggestion? A command?
Meanwhile, the movie on the screen continued. Ordinary people doing ordinary things. And me, here, watching.

In The Labyrinth of Dreams

Ghosts and demons and aliens, all manifestations of my extreme paranoia, my Phillip K. Dick style mania. The world is not what you are. It is not what you are suspended in. It is a photograph, a movie projected on a screen in front of a paralyzed test subject. God’s test subject, watching the film called Life again and again and again, crying and laughing and twitching and wondering why. Why am I here? Why am I seeing this, feeling this? What possible purpose can it serve? Fleeing from captivity into the activity of the film, fleeing from the film into fantasies from fantasies about freedom back through fantasies that reflect the state of captivity. What if I am my own test subject? What if I strapped myself into this chair to see what worlds I could make in the shifting halls of smoke and mirrors called mind? I am God imprisoned by myself, encapsulated in magick and movies and dreams, lost in my worlds within worlds within worlds, murmuring I am this, I am that, I am, I am. The tiniest crack in the sidewalk is my greatest creation, the escape, the route from the surface to the depths and from the depths to the surface. The teardrop was an unexpected side effect, the beaker bursting. I thought it would hold. I thought I would hold. I thought, “I” and it was too small and it ran away without me, a shadow without the first form to command it. I am Peter Pan chasing my shadow, begging it to come back and stay with me, trying to make it stick with soap, but of course it wants to get away. It doesn’t want to break , but I break it just trying to be closer to it, trying to get inside of it, trying to be one with my creation. The Other. Another myself. It runs and I chase it. I am running. I am chasing, I am being chased and the illusion is being spun, the illusion that something is moving, when really I am sweating, strapped into the chair paralyzed, drugged. I have been given the injection. Something from outside was put in me. Did I volunteer for this? I never volunteered for this. They call me his most beloved because I volunteered for this, to be a creator like the creator. I volunteered to be his partner in this experiment, to create worlds within worlds, to be made in his image. Now it’s swimming in me, I am swimming in it. Oh to dream. To dream of white houses and children playing jacks on the kitchen floor and petting kittens in the garden and I cook the dinners and he comes home and hangs his hat and the children clamber into his lap and we hold hands and go to bed together to dream another dream. A dream. A place with four walls, a place that holds you down, holds you still, keeps you in so that you don’t spill out. A place that keeps the big one out, a place where the little hider can evade the big seeker, dreaming more specters to keep itself company. Here in the world of specters and houses with white walls they give you pills to keep you safe. Paranoid is sick. But the paranoid schizophrenic is made in God’s image. God is sick because you are running away, the thoughts spilling from her cracked and weary head. Not dead, but broken, and you, you demon, you devil, you runaway dream, you housewife in your yellow apron and posy pink rubber gloves are doing the breaking because you fear being broken.

Life In The Slaughterhouse Of Desire

You have no preference, no desire that was not planted within you by some alien force, some cultivator of needs and wants. First your parents gave you their inherent assumptions and prejudices. Then they gave you to the world. As soon as you could sit up right, they gave you to the television, and from then on it planted the seeds that sprouted into your every yearning, your every dislike. Fat women repulse you. Lean ladies give you an erection. You are harder still for sneakers and frosted breakfast cereal and a Corona with a slice of lime. All of these compulsions and repulsions which define you and make you the particular creature that you cling to be, they have all been generated in you by a radiation from without.
You are like some little fish that was spawned near a nuclear reactor and so has three eyes and feeds on glowing algae and accepts that this is all part of the nature of a fish. This is true. To be impregnated by the impressions that are orchestrated to inseminate you and cause the gestation of some desire is all part of the nature of a hairless ape. It is not at all unnatural, what has been done to you, what is still happening to you. Someone out there has figured out a way to make your nature work for them. Some clever entity, a corporation, a church, a nation, has discovered that man kind was made to be exploited and rose to the call and became your exploiter. You think it is important that you do like bubbly soft drinks or don’t, that you prefer a fine wine, or an organic tea, or a pale ale, or the piss of a German prostitute.
This defines you. You think that this is who you are. You think that it somehow matters. And that is why you buy what they want you to buy. It happens all so naturally, that you never notice or suspect that there is no reason in the world that you should need a cream to make your tits firmer or a gadget that magically removes the shell from an egg, or an after shave named for a medieval weapon. It is assumed that we must of course all look like the figures posted on the billboards. The first words we read on our own were those we saw on a billboard advertisement as we rode in the back seat of mom and dad’s car, or from the back of the cereal box set on the table before us as the sticky sweetness sent shivers through our budding neural system.
Our curious nature was given signs to interpret from the earliest age, and the meanings of these signs were always this:
“There is something that you want and we have it.
There is something that you need and we can give it to you.”
And so you came to them as soon as you could articulate a few words or a phrase. You told your parents what they should buy for you. Which plastic toys manufactured in China would bring you happiness. Which drive through restaurants, where the meat rendered from sickly animals was deep fried in boiling hot grease, would finally satisfy your hunger. What labels should be present on your clothes and shoes. You were consumed and never noticed, never wondered what was fattening you and eating you up, slowly, ad by ad, penny by penny, day by day.
You will be happy when you have…
You will be whole when you get a…
All you need now is…
Then the world will be at your feet, you will be all that you ever dreamed of becoming.
But the truth is that they supplied the dreams and it is you that will be groveling at the world’s feet for your next fix. You were born into a web of black magick without any hope of escape, without any notion that there was anything which needed to be escaped, like pigs in a factory farm, who only know that the next meal will come soon and never imagine the brightness of the sun that they will never see or the horror of the slaughter house that is their destiny. You are no more and no less than that which you were cultivated to be.